AN ART VERSION OF THE GADARENE SWINE?
Chris Frayling, Paul Greenhalgh and Colin Painter

Research in Art and Design and the Research Assessment Exercise. An edited conversation between Professor Christopher Frayling, Rector of the Royal College of Art, Paul Greenhalgh, Head of Research at the Victoria and Albert Museum and Professor Colin Painter, Principal of Wimbledon School of Art.

PROFESSIONALISM & DOCTORS
Gillian Elinor

THE TOMB OF FRANCESCO:
AN AUTOBIOGRAPHICAL FRAGMENT
Keir Smith

MEMORY, (RE)COLLECTION AND THE HOME:
OBSERVATIONS FROM THE END OF THE 20^TH CENTURY
Doris Rohr

Psychoanalytical models have proved popular in the area of fine art theory and practice. Particularly as a means of uniting personal and cultural experiences. In this paper Doris Rohr positions the psychoanalytical framework within a historical context, offering a thoughtful perspective on visual poetics this century, as individual and collective situations collide. Three major themes emerge; collecting and recollecting (memory); creativity through destruction; the ambiguity of the domestic setting (home/house). An edited version of this paper was delivered at the ISSEI conference "memory and History and Critique; European Identity at the Millennium" at the University for Humanist Studies in Utrecht, The Netherlands. (August 1966)

THE OPPOSITE OF SPACE
Patrick Hughes Interviewed by Tim O'Riley

SYMMETRY, GENES AND WEAVE
Barbara Dass

Dass's research has concentrated on articulating clearly and explicitly the nature of weave. She has made an explicit analogy with the structure of DNA and her designs are conceived and generated from seed-like items. She talks of the primary element of weave cells and makes extensive use of symmetry operations. Her most recent work makes use of anti-symmetry transformations and also includes abnormalities in weave.

CRAFT: THE WORKMANSHIP OF RISK, CERTAINTY AND OPPORTUNITY
Keith Cummings